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HONG KONG — Two prominent figures in Hong Kong’s highly competitive pop music scene—ERROR member Kwok Ka-tsun, better known by his stage name 193, and COLLAR’s Candy Wong Ka-ching—have ignited fervent speculation about a romantic relationship, coinciding with the launch of their new musical collaboration. Rumors surrounding the pair intensified Thursday after local media published reports alleging their secret courtship spanning 10 months.

The 35-year-old 193 and 22-year-old Candy, who have a 13-year age difference, reportedly sparked a romance while participating in the reality television program The Company Forces Me to Play Basketball. Sources cited by East Week Magazine claimed that 193 has offered consistent, attentive support to Candy, including acting as her personal chauffeur. This week, however, the focus shifted to their professional work as they released a promotional video that many fans interpret as a playful confirmation of their bond.

The video serves as promotional material for 193’s new song, “Your Name, My Sacred Poem.” Posted on Instagram, the clip shows the duo intimately singing the track while gathered around a hot pot. The segment features frequent, affectionate eye contact between the stars, fueling the “couple’s marketing” narrative that has become a viral sensation across social media platforms.

A Strategic Reveal or Genuine Romance?

In his Instagram caption accompanying the duet, 193, whose personal height is noted as 173cm, cheekily referenced the age and height difference with Candy. He playfully described the 164cm tall Candy as having “stolen a march” on his planned series of cover song releases leading up to Christmas.

“I had planned a series of covers for my new song, aiming to release one reel every day starting in December for a Christmas countdown,” 193 wrote. “Now, Miss Wong, who is 29 centimeters shorter than me and loves a long-legged Oppa, has unexpectedly premiered this series with her cover of ‘Your Name, My Sacred Poem.’”

Candy responded simply with a laughing emoji, and the joint post immediately garnered thousands of likes and congratulatory comments from fans and other celebrities expressing approval of the apparent pairing.

While neither artist has explicitly confirmed the relationship, the timing and messaging of the joint promotion have blurred the lines between private life and strategic career move. In Hong Kong’s entertainment industry, joint public appearances and carefully choreographed social media content are often used to amplify publicity for new music or projects. This strategy, sometimes dubbed ‘shipping’ the stars, capitalizes on fan investment in their personal lives.

Implications for the Canto-Pop Landscape

The potential relationship unites two figures from Hong Kong’s most successful recent boy and girl groups, ERROR and COLLAR, both managed within the ViuTV ecosystem. Such a high-profile coupling could significantly impact their respective fan bases, potentially crossing over and expanding their individual appeal.

The collaboration comes at a crucial time for both artists as they navigate solo careers alongside their group commitments. Leveraging personal chemistry for professional gain is a high-stakes move in the celebrity world. If the relationship is genuine, it provides a compelling narrative; if merely for promotion, it sets a potent precedent for future cross-group collaborations.

As the holiday season approaches, fans eagerly await further posts and potential joint appearances, with many anticipating future duets and promotions that continue to blend music, marketing, and the allure of Canto-pop romance.

HONG KONG — Two of Hong Kong’s most prominent pop figures, 35-year-old Guo Jia-jun (known as 193) of the boy band ERROR and 22-year-old Candy Wong Ka-ching of the girl group COLLAR, are reportedly in a burgeoning secret relationship, drawing significant media attention from fans across the region. Local media outlet Eastweek broke the news, alleging the two idols have been discreetly dating for the past ten months.

The revelation is particularly notable for Wong, who is often hailed as COLLAR’s “ethereal beauty” and has repeatedly stated publicly that she had never been in a relationship, coining the term “A0” (meaning zero dating experience). If the reports are accurate, this marks her much-anticipated first foray into romance.

Wong rose to fame after participating in the reality television show King Maker IV on ViuTV, which led to her debut with COLLAR. She quickly garnered a substantial following due to her sweet looks and popular appeal, paralleling the popularity of bandmates like Marf Yau and Ivy So. In 2023, she landed her first lead role in a Hong Kong film, Evil Mall.

Idol Dating Challenges and Public Perception

Wong’s previous claims of being “A0” have been a consistent talking point in the local entertainment press. In earlier interviews, she often attributed her single status to her dedication to her nascent career following COLLAR’s debut in early 2022. She also characterized herself as someone with high standards for a partner, which media outlets previously dubbed her an “A0 Expert” and “extremely difficult to pursue.”

Discussing her ideal partner, Wong previously signaled a preference for a cool-headed and composed individual, suggesting it would balance out her own self-admitted “impetuous” personality. The reported pairing with Guo Jia-jun, however, has surprised some observers. Guo is known for his outspoken, sometimes provocative public statements and occasional social media feuds with internet users, a demeanor that seemingly contradicts Wong’s stated desire for a calm presence.

Guo, a more seasoned figure in the industry, has had several high-profile relationships since joining ERROR. The significant thirteen-year age gap between the two stars adds another layer of public curiosity to the reported cross-group romance.

Navigating Life Transitions and Future Prospects

Wong recently celebrated a major academic milestone, graduating this past June with a Bachelor of Social Sciences degree in Psychology from City University of Hong Kong. An athlete during her high school years, she achieved strong results in the Hong Kong Diploma of Secondary Education Examination five years ago.

The confluence of her career ascent, academic success, and reported first serious relationship places the young star at a pivotal moment. The pressures of public scrutiny on relationship milestones within the stringent K-pop-inspired idol system prevalent in Hong Kong, where personal lives are often heavily scrutinized, will undoubtedly intensify. While the stars themselves have yet to officially confirm the relationship, the media frenzy demonstrates the intense public investment in the personal lives of Hong Kong’s newest generation of pop idols.

The alleged relationship between members of two of Hong Kong’s most successful idol groups highlights the ongoing challenge for young performers to balance professional focus with personal development under the intense glare of the public eye. Fans await official statements as the two artists navigate this high-profile personal chapter.

A recent exclusive report detailing the romantic entanglements of popular Canto-pop boy band ERROR has sent ripples through Hong Kong’s entertainment scene, focusing particularly on member Dee-Gore (Kwok Ka-tsun), who is reportedly dating a bandmate from the sister group COLLAR. The news, published by East Week Magazine, claims Dee-Gore, 33, has grown close to Candy (Wong Ka-ching), 20, a dynamic pairing that crosses promotional lines. The report suggests Dee-Gore has taken on the role of chauffeur, regularly picking up and dropping off the younger star.

The revelations surrounding Dee-Gore follow speculation last year that he ended a three-year relationship with model and influencer Ah Gi (Farn Pui-ka). However, Dee-Gore is not the only ERROR member whose love life has captured public attention. The quartet—comprising Dee-Gore, Poki (Ng Po-kei), Fatboy (Leung Yip), and Ah Dee (Ho Kai-wah)—is consistently hailed in local media for their “powerful charisma” with the opposite sex.

Poki’s Tumultuous Dating History

Among the four, Poki, 30, has arguably the most extensive and public dating history, earning him the moniker “goddess collector.” His romantic links have included model Shirley Sham (Shirley Chan), internet celebrity Onion Chan, and singer Hana Kuk.

In 2021, Poki faced significant public scrutiny following allegations surrounding his relationship with Shirley Sham. A previous partner, Carrie Lai, publicly suggested she was unfairly dumped, while some reports labeled Poki a serial philanderer. Though Poki issued a public apology, conceding he “handled things immaturely,” the relationship with Sham ended within a year. By September 2023, Poki was reportedly dating eSports KOL Chen Hsueh-tsung (Onion Chan), although that pairing appeared short-lived.

Most recently, Poki was linked to singer Hana Kuk, a relationship neither confirmed nor denied, only described as “getting to know each other.” Despite the ambiguity, Poki was photographed publicly displaying a keychain bearing Hana Kuk’s image, often interpreted as a sign of commitment. Yet, by October of last year, reports surfaced speculating Poki was instead pursuing athletic personality Vinky Wong. The two reportedly bonded over running, with Vinky frequently posting workout photos with the star.

Fatboy and Ah Dee’s Steady Paths

In contrast to Poki’s revolving door of partners, ERROR leader Fatboy, 33, appears to have a more stable romantic trajectory. His on-again, off-again relationship with his first girlfriend, Ah Fen, has spanned years. The couple initially split in 2021 after eight years together, a breakup Ah Fen attributed to drifting apart despite mutual respect and support. They reconciled within a year, and their relationship appears steady as Fatboy focuses heavily on his career.

Meanwhile, Ah Dee, 39, the most senior member of the group, has shifted his focus away from romance. After debuting, he publicly acknowledged his relationship with Man Chin-ching, whom he met during the filming of the program Good Night Show: Advertising Queen. The couple dated from 2015, with Ah Dee once affectionately calling her “the woman who silently protected him.” However, in recent interviews, Ah Dee has alluded to being single, stressing his intense focus on his career as the reason dating is currently impractical.

The heightened media focus on ERROR’s personal lives underscores the intense public and press fascination with the relationship status of Hong Kong’s highest-profile pop stars, often eclipsing discussions of their musical and acting endeavors.

HONG KONG — The boundary between sophisticated television fiction and disconcerting reality blurred this week as a popular drama about cutthroat media politics featured a plotline on deepfake technology, coinciding with a mainland Chinese actress publicly accusing scammers of cloning her identity for commercial gain.

The controversy surrounds the hit TVB series News Queen 2, which centers on power struggles within a major newsroom. The show’s narrative has been praised for tackling contemporary issues, including a subplot where a character attempts to weaponize artificial intelligence to generate a lifelike “AI anchor” to compete with the central protagonist, raising prescient questions about authenticity and media manipulation.

Star Confronts Her Digital Double

The fictional use of AI mirrors a real-life deepfake scandal involving actress Wen Zhengrong, known for her role in the series Kung Fu Soccer. Ms. Wen recently took to social media to allege that unauthorized users employed sophisticated deepfake technology to perfectly replicate her voice and likeness. This AI clone was then used to host deceptive livestream e-commerce sessions, fooling numerous followers with its exceptional realism.

The situation escalated when Ms. Wen encountered the scam in real-time. She reportedly entered the fake live stream and dramatically challenged the digital impostor, demanding, “If you are Wen Zhengrong, who am I?” Her account was immediately blocked by the scammers. Forced to take extraordinary measures, the actress recorded a video affirmation stating, “I am the real one!” to protect her fans and reputation from the convincing digital fraud.

Newsroom Intrigue: Fact or Fiction?

The show’s depiction of intense internal politics has prompted former news professionals to share candid insights into the demanding and sometimes bizarre reality of their industry.

Former journalist Lee Chan-wing recounted his astonishment upon watching the drama, confirming that office politics in 1990s newsrooms could be incredibly aggressive. Lee startlingly revealed details about a high-ranking executive who employed extreme surveillance methods to gather intelligence on subordinates.

“This supervisor would arrive hours early to rummage through discarded waste paper, searching for fragments of information,” Lee noted. The executive’s espionage extended to hiding in bathrooms to eavesdrop on conversations near a common library and frequenting staff bars late at night to glean private chat, determined to maintain absolute knowledge of the organization.

Lee also highlighted a stark contrast between TV drama glamor and reality. He noted that unlike the lead character’s opulent on-screen lifestyle, many journalists during that era earned meager salaries and were forced to take second jobs just to make ends meet, demonstrating the profession’s true economic challenges.

Professional Standards and Workplace Realities

The series also drew scrutiny from former news anchors regarding professional standards. Former TVB anchor Gigi Sun questioned a scene where a character delivers a weather report in an overtly cutesy manner, even using an umbrella indoors. Sun emphasized that a weather segment is fundamentally news information, prioritizing accuracy and professionalism over theatricality.

Meanwhile, an editor who recently resigned from the TVB news department, posting under the alias “Island Spicy Girl Little Dyla,” revealed that while the intense factionalism portrayed in the show may be exaggerated, another character—the “Man-sister”—has a real-life counterpart: Huang Shuming, the current Controller for News and Information.

However, the former employee clarified that her primary reasons for leaving were not political infighting but the more mundane, if still grueling, issues of low pay and unstable working hours. She summarized the profession succinctly: “It was hard work, but worthwhile.” The ongoing discourse generated by the series underscores the media industry’s constant battle between professional ethics, financial strain, and the swift adoption of transformative technology, which now includes the threat of sophisticated AI impersonation.

Hong Kong entertainment figures 193 (Kwok Ka-chun) of the boy band ERROR and Candy (Wang Ka-ching) of the girl group COLLAR have been revealed to be in a long-term relationship, confirming months of speculation surrounding the popular ViuTV stars. The clandestine romance between Kwok, 35, and Wang, 22, reportedly blossomed after they met on the set of the network’s reality program Companies Force Me to Play Basketball, and they have allegedly been dating privately for 10 months.

The revelation, detailed exclusively by East Week Magazine, marks the first confirmed relationship for Wang, who was previously known as an “A0 Goddess”—a colloquial term for someone who has never dated. For Kwok, the leader of the self-proclaimed “unruly” ERROR, the relationship showcases a softer side, observers say, as he has been reportedly performing doting acts for his new partner.

Affectionate Outings and Discreet Relationship

The report cited a recent sighting in which Kwok, driving a silver Mercedes-Benz G-Class, picked up Wang after she finished work at the ViuTV studios. Despite wearing hats and masks in an attempt to maintain discretion, the pair were observed sharing an intimate hotpot dinner in Tsim Sha Tsui, characterized by joyful conversation and evident chemistry. Following the meal, the report noted the couple retreated to Kwok’s residence for the night.

Their age difference of 13 years appears to be no barrier to their connection. Friends close to the couple suggest Kwok’s trademark humor has successfully charmed Wang. The stars, who share the same management under ViuTV’s parent company, have reportedly taken steps to integrate their lives. Kwok recently relocated to Sha Tin, closer to Wang’s home, and sources suggest they have moved into a quasi-cohabitation arrangement.

This new relationship comes after Kwok’s previous three-year relationship with media personality Gi Gi Fan ended last year. Kwok had strenuously denied rumors of a romance with LollyTalk member Tania earlier this year, a move now interpreted by industry observers as a measure to protect his burgeoning bond with Wang.

Public Clues Hinted at Private Partnership

Although the relationship was kept under wraps, social media accounts offered subtle hints of their connection. Wang has been photographed wearing a necklace from Kwok’s personal merchandise line, and the pair have also been spotted attending stage performances together.

Furthermore, Kwok’s recent song release, “Your Name, My Hymn” (你的名字我的聖詩), is now widely speculated to be a heartfelt ode to Wang, adding a musical dimension to their public disclosure.

For Wang, the relationship with Kwok means shedding her “A0” status and moving into the “A1” category—a public debut into dating. She had previously joked that her ideal type was a tall, “Oppa” type figure, similar to Kwok and Korean star Lee Kwang-soo.

Kwok, known for his somewhat cavalier approach to dating, has previously stated he has no intentions of getting married, preferring partners who are easygoing and non-demanding, particularly disliking possessiveness or excessive monitoring. The current harmonious dynamic suggests Wang provides the level of freedom and comfort that Kwok desires in a long-term partner.

The coupling of two highly visible artists from Hong Kong’s competitive Cantopop scene underscores the complex balance celebrities maintain between public scrutiny and private life. As the relationship gains heightened attention, fans and media alike will monitor how this significant personal development impacts both ERROR and COLLAR’s careers.

Former Miss Hong Kong winner and newly minted entrepreneur Lisa Tse has publicly confirmed her relationship with longtime beau Andy, a declaration made on Tuesday that has resonated widely with fans and also provided a rare glimpse into the intense professional pressures faced by female celebrities in the entertainment industry.

Tse, who is transitioning from a high-profile acting career at TVB to focus on business ventures, took to Instagram to address recent media speculation surrounding her love life, sharing several intimate photos with her boyfriend. The confirmation came days after a local magazine published exclusive photos of the couple displaying affection publicly.

The former beauty queen revealed the profound anxiety that has long surrounded the decision to disclose personal relationships. She confessed that admitting her romance felt “surreal” and “unbelievable,” primarily due to years of conditioning within the industry that suggested romantic revelations could severely impact her career trajectory, potentially leading to lost work or audience backlash.

“For years, I was told that admitting a relationship would ruin my career, causing immense mental health strain,” Tse wrote to her followers.

However, the unexpected flood of positive affirmations and blessings received following the initial media report profoundly moved her. This outpouring of support, she noted, was a beacon of hope, seemingly challenging the entrenched belief that female celebrities must maintain an illusion of availability to safeguard their appeal. “Thank you for the love, and for capturing a real and very human day for us,” she added.

The relationship revelation comes as Tse departs from her former television powerhouse, marking a new chapter focused on personal and commercial growth.

Clearing the Air on Public Display of Affection

Tse also used the platform to offer context surrounding the paparazzi photos that captured a very emotional moment between her and Andy in a shopping mall. She explained that the intimate exchange was not merely public romance but a moment of critical comfort.

She clarified that she had been suffering from a severe migraine and high stress that day, and her partner, Andy, was consoling her. “That’s life: finding a partner who supports you through thick and thin,” she remarked, underscoring the foundation of their bond.

The post also officially introduced her boyfriend, revealing his professional background and nationality. “Andy is a seasoned model and video producer in Hong Kong. No, he is not half-foreign. And yes, he is amazing!” Tse stated, dispelling early speculation about his heritage.

A Push for Privacy in the Digital Age

Despite the public confession, Tse signaled that this level of public exposure would be an exception rather than the norm for the couple. She emphasized their mutual desire for a private life, focused on genuine, lived experiences over online exhibitions.

“We are a very private couple, so this will likely be the only ‘flex’ post,” Tse concluded, suggesting that the couple prefers to nurture their relationship away from the constant scrutiny of social media.

Tse’s decision to openly share a relationship previously viewed as a professional liability underscores a slow but potentially meaningful cultural shift in the Hong Kong entertainment scene, where transparency and authenticity are beginning to be valued more than manufactured celebrity mystique.

HONG KONG — Rising tennis talent Coleman Wong (黃澤林) captured a bronze medal in the men’s singles tournament at the recent National Games, but the post-match headlines were shared equally with an unexpected interviewer: Hong Kong celebrity and pop idol, 193 (郭嘉駿) of the boy band ERROR.

Wong, widely known for his relaxed demeanor with the press, entered the mixed zone following his semifinal defeat to Wu Yibing, immediately spotting his friend. The ensuing, highly unusual exchange, conducted with playful banter and palpable camaraderie, underscored a personal friendship played out on a high-stakes athletic stage.

Playful Blame Follows Semifinal Loss

Wong, often referred to by his English name Coleman, secured the third-place finish after falling to the eventual champion, Wu Yibing. While the loss marked the end of his singles run, Wong’s playful frustration was immediately directed at 193.

“You only show up now, and I lose the match!” Wong quipped directly to the celebrity, causing both men to erupt in laughter. 193, momentarily caught off guard, could only respond with a smile and a shrug.

The interview quickly transitioned into casual conversation, with 193 sharing his observations from the stands, noting the passionate support for Wong from the audience. “I heard the fans shouting ‘Let’s go Coleman,’ and one girl pleaded for you to hold on—it gave me goosebumps,” 193 recounted.

Shifting to the match, Wong offered a professional assessment of his three-set battle against Wu, a player he had faced twice before. “This was my third time against him, and I didn’t have any specific new strategy,” Wong explained. “I was just slightly off. I gave it my best and genuinely enjoyed the fight.”

Wong acknowledged a minor strategic disadvantage stemming from his participation in the doubles competition, which forced him to manage his stamina. “I was a little disadvantaged because I played doubles and he didn’t, but that’s my choice, and I don’t blame anyone,” he stated.

Friendship Takes Center Stage

The interview further showcased the duo’s close relationship when 193 expressed mock regret over sitting in the media section. “I regret sitting here with the reporters,” he declared. Wong seized the opportunity to tease his friend by suggesting he should have been cheering from the official Hong Kong team seats, urging him to “make some noise!”

Wong also reflected on the broader emotional impact of Hong Kong’s athletic performances, regretting that his bronze could not entirely lift the spirits of the delegation following the Hong Kong football team’s recent loss in the Asian Cup. “I watched the Hong Kong team lose yesterday, and I hoped my result could cheer everyone up a bit, but it wasn’t enough. Still, I fought hard and have no regrets,” he affirmed.

When 193 adopted a serious, journalistic persona to inquire about Wong’s future career plans, the tennis star instantly dismissed the formality. “Can we not be so serious? I don’t have a plan right now, but I’ll let you know when I do,” Wong stated with a smile.

The interview concluded with a light-hearted promotional plea. 193 reminded Wong that he had interrupted other commitments to attend the match out of loyalty. “Actually, I released a new song today called Your Name, My Hymn,” 193 confessed, soliciting a favor. A slightly reluctant Wong concluded the interview by conceding, “Pay attention to my friend’s new song, and remember to support it.”

The jovial, unconventional press conference offered a refreshing glimpse into the shared lives of Hong Kong’s new generation of sports and entertainment stars, concluding on a burst of shared laughter that overshadowed the tournament outcome. Wong’s performance reinforces his status as a bright prospect in Asian tennis, with fans now anticipating his next appearance on the international circuit.

HONG KONG — Hong Kong tennis sensation Coleman Wong secured a bronze medal in the men’s singles at the National Games, but the post-match interviews garnered as much attention as his performance after he encountered an unexpected interviewer: pop culture personality and comedian Kwok Ka-tsun, known as 193 from the Cantopop group ERROR. The friendly, banter-filled exchange provided a rare glimpse into the athlete’s off-court camaraderie and buoyant spirit, even after a tough semifinal loss.

Wong, widely recognized as one of Hong Kong’s most promising tennis exports, fell to mainland player Wu Yibing in a fiercely contested semifinal. Yet, the usual solemnity of a post-game reflection was immediately dissolved when Wong spotted 193 in the press area. The youthful athlete, visibly amused, greeted the celebrity by jesting about his late arrival. “You only turn up now, and I lose,” Wong quipped, setting the tone for the lighthearted exchange that underscored their apparent strong friendship.

The Unexpected Press Conference

The unconventional interview quickly navigated between competition analysis and humorous personal digs. When Wong entered the press zone and saw 193, he burst into laughter, playfully questioning the comedian about his previous absence. 193, deflecting with a smile, simply stated, “Well, I’m here now.” Wong’s quick-witted reply—”You show up, and I lose!”—was met with laughter from both individuals, momentarily leaving 193 speechless.

Moving briefly to the game itself, 193 noted the audible support from the crowd, remarking that hearing the audience shout “Let’s go, Coleman!” and “Hold on!” gave him “goosebumps.” When finally pressed on his tactical approach for the match against Wu Yibing, whom he had played twice before, Wong maintained that there was no “special deployment.”

“This was only just missing that little bit,” Wong reflected on his performance. “I gave it my all and thoroughly enjoyed it.” He openly acknowledged a potential disadvantage: “I might have been slightly weaker because I was also competing in the doubles, and he wasn’t. But I can’t blame anyone—that was my choice.”

Beyond the Sidelines: Sport and Friendship

The duo soon returned to their familiar banter. After asking a serious question, 193 humorously confessed that he regretted seating himself in the media section rather than the supporters’ stand. Wong immediately seized the opportunity, teasing 193 about his loyalties. “You should have been sitting with the Hong Kong team, making some noise!” he retorted, highlighting the closeness that allows the pair to freely exchange jokes.

Wong also touched upon broader regional sports news, mentioning that he had watched the Hong Kong football team’s Asia Cup loss the previous day, stating it was “a real pity.” He admitted he had hoped to win his own match to lift the spirits of the Hong Kong team cohort, only to regret that he couldn’t. However, he concluded, “I gave my maximum effort, so I have no regrets.”

The interview concluded with a promotional twist. Adopting the solemn tone of a traditional sports journalist, 193 asked Wong about his future plans. Wong, sensing the renewed sobriety, laughed and pleaded: “Can we not be so serious? I genuinely have no plans right now, but I’ll let you know when I do.”

It was then 193’s turn to cheekily leverage the spotlight. “I actually had other commitments today, but I am keeping my word by showing up,” 193 admitted. “Actually, I released a new song today called Your Name My Hymn. Could you give it a plug?” Wong, seemingly indulging his friend, complied: “Keep an eye out for my friend’s new song and make sure you support it.” The entire exchange concluded amidst peals of laughter, underscoring the strong personal connection between the rising tennis star and the entertainment figure, even as the professional sporting environment demands focus and dedication.

HONG KONG — As former Miss Hong Kong winner Lisa-Marie Tse recently celebrated finding a new partner, marking a successful “exit from the pool” after expressing hopes to be coupled by 2025, several other prominent pageant queens continue to defy conventional expectations by thriving in celebrated singlehood, according to the latest coverage in East Week Magazine. These highly eligible celebrities—including Maggie Cheung Ho-yee, Sharon Luk Sze-wan, and Monica Chan Fat-yung—demonstrate that for successful women in the entertainment industry, romantic partnership is often secondary to personal fulfillment and career ambition.

While Tse’s public display of affection with her new beau signals a traditional achievement, the contentment of these high-profile single stars challenges the narrative that beauty, wealth, and fame must culminate in marriage.

Cheung Ho-yee Prioritizes Independent Life

Former TVB leading actress Maggie Cheung Ho-yee, 56, remains a subject of intense media focus despite reducing her workload. Recently sharing images of a relaxed, independent trip to Xinjiang on social media, Cheung projects an enviable, unfettered lifestyle.

Rumors have consistently surrounded Cheung’s romantic life, most notably suggesting she has twice declined marriage proposals from billionaires and even inherited a substantial fortune. Though she has never confirmed these claims, her colorful life—filled with hiking, badminton with friends, and the establishment of her own talent agency in mainland China—underscores that her fulfillment is self-driven. Residing in a secluded house in Yuen Long, Cheung’s success suggests love is an optional accessory, not a necessity.

Sharon Luk Focuses on Empire Building

Sharon Luk Sze-wan, 44, a former Miss Hong Kong first runner-up, has successfully transitioned from acting to becoming a formidable businesswoman. She manages her own lingerie and skincare lines and serves as the Vice-Chairperson of the Hong Kong Women Entrepreneurs General Association of the Greater Bay Area—a testament to her commercial acumen.

Despite past romantic setbacks, including substantial debt due to a former partner, Luk remains optimistic about love. While admitting occasional loneliness, she recently detailed her ideal partner traits, emphasizing internal qualities over appearance. Luk stated she is unconcerned with physical attributes like weight, hair loss, or height, valuing humor and, crucially, filial piety above all else. Her flourishing business career validates the principle that a woman’s worth is not defined by her romantic status.

Monica Chan Finds Joy in Family

Monica Chan Fat-yung, 58, the 1989 Miss Hong Kong winner, has chosen to prioritize family after a decade of singlehood following several highly publicized, short-lived romances, including those with businessman Ni Zhen and alleged “oil tycoon” Zhu Ming.

Chan, lauded as one of the most beautiful short-haired Miss Hong Kong winners, has redirected her focus toward her aging father. Known within the industry for her filial devotion, she frequently travels globally with her father, who is nearly 90, cherishing their time together. Still active in the public eye—most recently serving as a judge for the Miss Hong Kong pageant—Chan demonstrates that for her, the enduring bond of kinship provides a far more stable and meaningful companionship than transient romantic love.

These stars, each highly successful and independent, illustrate a shifting paradigm in celebrity culture, where the traditional quest for a partner is increasingly balanced by the inherent rewards of autonomy, career success, and chosen family ties.

Lisa Tse, the 30-year-old winner of the 2020 Miss Hong Kong pageant, has ended her five-year contract with television broadcaster TVB, signaling a shift in her career and personal life. Following an apparently challenging professional trajectory within the entertainment industry, the celebrated model and actress now appears to have found fulfillment in her personal sphere, with recent exclusive reports detailing a budding romantic relationship.

The announcement of Tse’s departure from TVB earlier this month concludes a significant chapter that began when the Scottish-Chinese beauty first captured the title. Despite her early efforts to establish a lasting career and permanent residence in Hong Kong—even bringing her dog to the city—Tse’s time in the territory has been marked by professional ambiguity. She had planned to spend five years dedicating herself to mastering Cantonese and securing her place in the competitive entertainment world, a period during which she previously stated she chose to forgo relationships in favor of self-discovery.

Searching for Direction Amidst Career Hurdles

Tse’s previous statements about prioritizing her personal growth over dating shed light on her recent choices. She had previously revealed her only serious relationship before the pageant was a brief six-month courtship during her university years. Tse acknowledged then that she ended the relationship because she was focused on her studies and feared losing her identity if she altered her path for love.

“I was focused on finding my own direction and didn’t want to change myself for a relationship,” she once explained in an interview regarding the breakup, suggesting she felt she had plenty of time for romance later. Her current romantic alignment suggests that period of self-searching may have reached a meaningful conclusion.

Health Challenges and Physical Transformation

Beyond professional growing pains, Tse’s time in the public eye has also involved managing the lingering effects of a severe past injury. Twelve years ago, the former beauty queen was involved in a major multi-car collision. While driving, she was unable to stop in time when a truck abruptly braked ahead of her, causing her to crash into the vehicle in front. The force of the impact resulted in significant cervical spine injuries, temporarily immobilizing her neck and shoulder.

This accident has left a lasting impact, as Tse has suffered three recurrences of the neck injury, necessitating frequent physiotherapy. The ongoing medical requirements prevented her from maintaining a regular exercise routine, a factor she has publicly cited as contributing to recent and noticeable fluctuations in her physique sometimes observed by the media.

Despite these physical and professional setbacks, Tse confirmed that she remains passionate about acting and hopes to continue pursuing film roles. Her decision to exit TVB now opens the door for new collaborations and potential creative outlets outside the confines of a rigid network contract.

Next Steps for the Star

Lisa Tse’s formal separation from TVB is a common development for established stars seeking greater creative control and diverse opportunities. By securing happiness in her personal life and severing ties with the broadcaster, Tse appears poised to redefine her presence in Asian media. Industry observers will now watch closely to see if her newly independent professional status and clear-minded focus on her personal life translate into more sustained success on screen. Her journey underscores the intense pressure faced by pageant winners expected to instantly transform into enduring entertainment pillars in Hong Kong.